~Never forget how much fun it is to play dress up!

Wednesday, February 3, 2010

Details, Details

If you've been to your fair share of cons, you have seen the good, the bad, the not-so-flattering, and the sugoi (amazing). What sets one apart from another? If you guessed it, you read my title.

Detail can refer to anything from proper sizing to straight stitching. The detail work, making sure that it fits properly and hangs just right, is the correct color...etc. sets apart a good costume from a mediocre.

Here are some details that you can perfect to make your costume great.

1. Colors - I can't stress that enough. If you start off with a fabric color that is 'close' but not quite right, it will be downhill from there. Nothing to me is more painful than seeing a beautifully constructed costume, only the base color is wrong!

2. Fabric Choice - I know Walmart sells cheap solids, but if your character is clearly decked in a satin or something heavier, don't skimp! Use coupons or whatever you can to ensure your fabric has the right look and feel for the job. The opposite problem persists too; some cosplayers like to make everything out of shiny fabrics. Most characters costumes don't look like they would have a sheen, so don't give them one!

3. Sizing - So, you couldn't find a pattern for that Sailor Moon costume, and you tried some free handing. Probably started it big just in case, and figured you could cut it down to size. Only problem? Sizing is a nightmare. Get a friend to help with difficult to pin areas, and make sure your costume isn't baggy (unless it's supposed to be!)

4. Detail to Scale - I just did a costume that has buttons on it, and in every cosplay photo I have seen, cosplayers used real buttons that often times didn't match and in every case were TOO SMALL! Use your reference photos to figure out how large (it's anime, so everything is big except for the skirts) your detail items should be.

5. Make it Match - The above example suits this perfectly. I didn't buy buttons. I made them from the same material used for the trim work. Likewise, I found pink tights but they were the wrong color, so I got Rit Dye Remover and faded them until they were. This is such a small thing, but it makes a difference. If I'd left them people who see the costume would say "oh, she did a nice job, but the tights didn't match."

Happy Cosplaying!

Saturday, January 9, 2010

Yakitate!! Japan with a Side of Bread

My best friend fell in love with this series a long time ago, but I couldn't seem to get into it. I don't know if I was too distracted at the time, or if I just didn't have broad enough interests (I do tend to like shojo best). Finally though, I am watching and enjoying Yakitate!! Japan.


Yakitate!! is the story of a young boy named Azuma Kazuma. At age six his sister dragged him (literally) to a bakery, and the baker taught him to make bread. There are French, German, and English breads, but no Japanese bread, which inspires the baker to try to create one. His goal is make a bread worthy of carrying the country's name; that ultimately surpasses rice. Azuma continues this quest, making bread after bread, and naming them Ja-Pan, which is a pun ('pan' in Japanese means bread).


In the first episode we catch up with Azuma as he is leaving for Tokyo to compete for a position at an elite bakery called Pantasia. Arguably what makes this series most enjoyable isn't its storyline, but the absurd reaction scenes we see whenever another character tastes Azuma's bread. Depending on the variety and flavor, the taster lapses into a comatose hallucination of different worlds, time periods, outer space, etc. These scenes seem to get more bizarre and hysterical as the episodes progress.

One thing I have found about watching Yakitate!! Japan is as my title implies: It makes you crave bread. So bake up some Ja-Pan and watch an episode or two.

~Itadakimasu!

Thursday, January 7, 2010

The Epic Return of Clari

There comes a point in everyone's life where "real world" and "adult" responsibilities try to pry us from the things that we love. Rather than pretend magical and fantastic things, we pretend that it is okay to exist in a world of jobs, chores, and monotony.

Many of the cosplayers that I have met defy this. Either they indefinitely suspend reaching that point or they meet and overcome it.

I find myself to be one of the latter, as it has been two years since I last cosplayed. At first it was Katsucon 14. My now-husband and I signed the paperwork for our house that very weekend. That was just the start. Otakon - I was too poor from buying a house to even go to the con, let alone cosplay. The hotel alone would have bankrupted me. The following February it was the upcoming wedding we were saving for. I couldn't justify shirking a major responsibility to my husband and family for a weekend of playing dress up, now could I?

Finally I realized that something major was missing in my life. It is not just cosplay. I don't work on my scrapbooks, I am not longer pursuing the arts, I don't even play my clarinet or any instrument for that matter. I have been too long from my arts, and I need to find them again.

So that was a starting grounds. Step one, identify the problem. Step two, do something about it.

The first baby step I took was registering for a smaller local con. No hotel fee, no travel cost, and no cosplay. I didn't have the time or the money. That didn't stop me, however, from donning the most ridiculous of outfits, complete with Kuro-neko-sama shirt and kitty ears and buddying up with other cosplayers young enough to be my students.

To be honest, it was difficult. Part of me shyed away from the immaturity of it all. I never have a weekend off, and I was spending most of my precious Saturday waiting in line to get inside the building. Once in, I would spend money irresponsibly and partake in games (like Where in the World is Carmen Sandiego?) that have no bearing in the real world.

Saturday night Nette-chan, Raharu and I made plushies. Or tried to. I was working with my hands again; sewing for something other than profit, and enjoying myself. I dug out my Chii cosplay; one of my favorites; and decided to wear it the following day. It just didn't feel like a con without cosplay.

Sunday was bizarre. It was a smaller con, and an older costume. It didn't look or wear as nice as it did the first time. There wasn't that exciting energy of wearing a costume for the first time. I posed for a few pictures but far less than I was accustomed to from the larger cons. The wig felt heavy and uncomfortable. I was awkward in my shoes and my dress. I was afraid of tearing the hem; the bows didn't stay up; I had my glasses; I didn't wear glasses when I last cosplayed.

Though it was difficult to try to transition back into the mentality of a con, I got there eventaully. I bought this cute little plush and made friends with the artist. Talking to her reminded me of what it was I liked about cons; Originality. Expression. Passion. The willingness to create something and show it to the world (or at least a thousand + con-goers) and be proud of it.

Nette-chan and I made our plans for Katsucon 16 and I pre-registered before the end of the year. This February I won't be letting the real world keep me from my fantastic one. It will be a weekend of friends, artists, geekery, and of course, a new cosplay. ^_~ More to come about that one.